In contrast to the slightly harder-edged, bold, graphic silhouettes, the Swede,
Paulo Melim Andersson introduced, when he first took over from the cult British
designer, Phoebe Philo, this was a much softer, more girly collection.
In truth, it was actually a collection of must-have pieces, incorporating all
the great shapes and details which the typical Chloé customer has found she just
cannot do without, and often layered together to create that upmarket
street-chic look that works just as well in the Boulevard Saint Germain as it
does in Bond Street.
